(n) :
in the artistic literature, a term coined by L. Lanzi at the end of the XVIII century to designate the ostentatious but innatural style of a pictorial current of the second half of the sixteenth century. In the contemporary criticism, the same current, understood as negation of the
classicistic equilibrium and as search of a
prebaroque, deforming expressivity; the analogue tendency present in the literature of the same age; in the field of figurative arts and of literature, every tendency that is inspired by previous models, aiming to the artificially varied reproduction of their expressive language